Elizabeth Mongan

Elizabeth Mongan (December 23, 1909 – ) was an art historian and curator, an authority on prints. She assembled the Rosenwald collection of prints and joined the National Gallery of Art as a curator when the collection moved there. She authored numerous exhibition catalogs, including the seminal The First Century of Printmaking, 1400 to 1500 and the catalogue raisonné of the prints of Paul Gauguin.

Life and career Elizabeth Mongan was born in 1910 Smit in Somerville, Massachusetts, the daughter of wealthy physician Charles Mongan. Her older sister was Agnes Mongan, also an art historian and curator. Their father encouraged them to be well-read, learn languages, and have a broad and rigorous education. Elizabeth Mongan attended The Cambridge-Haskell School, where she learned Latin, and Bryn Mawr College, where she graduated in 1931. At Bryn Mawr, she was particularly influenced by Georgiana Goddard King and Mary Hamilton Swindler.

After graduation, she was hired by Winslow Ames to work at the small Lyman Allyn Art Museum in New London, Connecticut. She also took museum education courses from Paul J. Sachs, including the famous "Print Course". After teaching briefly in Florence, through Sachs she was interviewed and hired in 1937 by art collector Lessing J. Rosenwald to curate his private collection of some 5000 prints, to be housed at his home Alverthorpe Manor, in Jenkintown, Pennsylvania.

In 1943, Rosenwald donated his collection of prints to the National Gallery of Art, and Mongan went with it to Washington, D.C., joining the NGA as Curator of Prints. She retired from the NGA in 1963. The Rosenwald collection now has about 22 thousand prints.

Mongan taught at Smith College from 1969 to 1975.