Elena Sánchez Valenzuela

Elena Sánchez Valenzuela (2 March 1900 – 30 September 1950) was a Mexican actress, journalist and creator of the Mexican film archive. One of her country’s first silent film stars, she was also a feminist and suffragette.

Biography Valenzuela was born on 2 March 1900 in Mexico City, Mexico to journalist Abraham Sánchez Arce She was still a student at the National Conservatory of Music when she made her film debut in Barranca trágica (1917). The following year, she was chosen to star in the first film adaptation of Federico Gamboa's 1902 novel, Santa (1918). The silent film was produced by Germán Camus, directed by Luis G. Peredo It would establish a formula that prevailed in Mexico until the 1940s, the theme of the "noble prostitute", a girl typically living in urban slums, caught in the trap of the onset of modernity and industrialization. In Santa, after a young peasant girl named Santa is seduced and abandoned by a soldier, the affair is discovered by her family and she is banished. She relocates to Mexico City and turns to prostitution to support herself. The film premiered on 13 July 1918 and was a sensational hit. as a correspondent for El Demócrata. While she was in the US, Sánchez won a contest organized by a local newspaper to promote her acting career and meet Hollywood personalities at publicity events at places like as Grauman's Chinese Theatre. She was offered a role in Almas que sufren, but the film project was abandoned and Sánchez returned to Mexico. In 1922, she began writing a column in El Universal Gráfico called “El cine y sus artistas" (Cinema and Its Artists) and in 1929, she moved to Paris as a news correspondent for the next four years, returning to Mexico in the 1930s to work at El Día. Finally in 1942, she was successful and the Filmoteca Nacional (Mexican National Film Library) became a reality, when President Manuel Ávila Camacho not only authorized its creation but gave her the responsibility for promotion of archival preservation. and Sánchez began traveling throughout Latin America to urge film preservation. On one trip, she represented the Film Archive at the Primer Congreso Interamericano de Mujeres held in Guatemala City, Guatemala where the women were discussing enfranchisement, employment protections, as well as world affairs. In 1948, she was traveling through Argentina and Uruguay giving lectures on the Mexican film industry and her preservation work at the National Film Archive.

She died on 30 September 1950 in Mexico City.

Filmography Barranca trágica (1917) Santa (1918) La llaga (1919) El escándalo (1920) En la hacienda (1921)