David Paton

David Paton was a Scottish artist active between 1660–1700.

He is known for his high quality Portrait miniatures and is considered one of the best draughtsmen in late seventeenth-century Britain. He worked mainly in plumbago, pencil and sepia, but also painted portraits in oil.

Biography His earliest known works are copies of oils formerly in the collection of Charles I by Giovanni Cariani and Titian dating from 1667. Paton also copied works of older contemporary Samuel Cooper including the famous 1665 large rectangular miniature of Charles II. One copy, signed and dated 1668, is at Ham House, the other, a year later, is in the collection of the duke of Buccleuch.

A copy by Paton after the miniature of William Murray, 1st Earl of Dysart, attributed to David des Granges, is also at Ham House as are both the original and Paton's copy of John Hoskins' large rectangular limning of Murray's wife; Katherine Bruce, dated 1638.

Paton is known to have been in Italy in the 1670s and 1680s with The Hon. William Tollemache (1662–1694), the youngest son of his patron, Murray's daughter; Elizabeth Maitland, Duchess of Lauderdale, on his Grand Tour. Paton's self-portrait, a miniature dated 1683, is held in the collection of the Uffizi Gallery, Florence. In 1698 he received £2 18s. for a picture for James Douglas, 2nd Duke of Queensberry, and £5 16s. from the same source the year after.

A portrait of General Tam Dalyell of the Binns was also ascribed to Paton. Other works include a portrait of Sir Isaac Newton sent to Cosimo III de' Medici, Grand Duke of Tuscany in 1708, his last documented work.