Colleen Heslin

Personal life Heslin was born in Toronto, Ontario and raised in London, Ontario. She graduated from the Emily Carr University of Art and Design in 2003 with a Bachelor of Fine Arts in photography and in 2014 she graduated with a Master of Fine Arts from Concordia University in painting and drawing.

Career As a young artist Heslin established The Crying Room (1999–2014), a rented retail unit on Cordova Street and Main Street in Vancouver which she used as an exhibition space of other local artists' works. Her artist-run space became a venue for many new and emerging artists and placed an emphasis on equal exposure for female and male artists. Under the gallery's operations Heslin facilitated several interviews with the exhibited artists on topics such as their inspiration, media, and style. Heslin also completed several residencies in North America and Europe including in Saskatchewan, Vevey, Berlin, Malcolm Island, and Joshua Tree between the years 2011–2016.

RBC Canadian Painting Contest On October 2, 2013, Heslin was announced as the winner of the 15th Annual Royal Bank of Canada's (RBC) Canadian Painting Competition for her painting titled Almost Young and Wild and Free. The winning painting incorporated several large swaths of fabric in bright hues of blue, gold and magenta and has a tromp l'oeil three-dimensional effect. She was praised for her "fresh approach to a traditional medium" with her usage of textiles and craft work. For her first-place finish, Heslin received $25,000 and her piece was added to RBC's private art collection.

Style and works Heslin's textile series of paintings uses hand-dyed, previously owned domestic fabrics (i.e. bed sheets, clothing) which are hung to dry in bunches which result in a three-dimensional tromp-l'oeil effect on the fabrics. Heslin sews abstract fabric shapes together in a process similar to quilting and then stretches the "abstract collage of cottons and linens" together around a frame. In her painting, Chain of Command (2016), the washed-out grey panels suspend eight colourful, abstract shapes that have no obvious pattern or rhythm. The colourful, almost geometric, shapes do not directly border one another and they spread out to fill the entirety of the frame. Her paintings vary in their colour palette but seem to either be dominated by a greyscale palette or a blend of rich colours. The titles of her works "reflect a gesture within the work" and suggest a "landscapes of figures." Heslin's use of secondhand materials has been viewed as a comment on consumer excess. Slow Down, Get Lost, with Les Ramsay, Kinderhook & Caracas, Berlin Germany (2013) Ballads from the North Sea, Laroche/Joncas (2014) Outcasts and Shady Trees, Monte Clark Gallery, (2014) Walking and Falling: Colleen Heslin and Vanessa Brown, ESP, Toronto (2015) Needles and Pins, (solo) The Esker Foundation, (2016) Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery (2016) Colleen Heslin: Needles and Pins (solo), McMichael Canadian Art Collection (June 4, 2016 – February 20, 2017) Entangled: Two Views on Contemporary Canadian Painting, Vancouver Art Gallery (2017–2018) Beginning with the Seventies: GLUT, Morris and Helen Belkin Art Gallery (2018) The Other Side: Artworks from RBC Canadian Painting Competition Alumni, The Power Plant, Toronto (2018)