Charlotte Lindgren

Charlotte Lindgren (1 February 193119 April 2023) was a Canadian sculptor-weaver, installation artist, photographer and curator. Lindgren gained worldwide fame for innovative weaving due to the response to her distinctive installation Aedicule in the 1967 International Biennial of Tapestry in Lausanne, Switzerland. Her architectural textile works—usually large—are single woven planes that transform into three-dimensional forms. They explore the interplay between positive and negative spaces, allowing for dramatic shadows and movement.

Lindgren represented Canada abroad many times, and in 2002 was awarded the Queen Elizabeth II's Golden Jubilee Medal. She lived in Winnipeg from 1956 to 1963, then in 1964 moved to Halifax and afterwards to Cape Breton.

Career Lindgren was born in Toronto, Ontario, and received an undergraduate education and learned to weave at the University of Wisconsin, Michigan (B.Sc.) in the United States.

In 1952, she married Ed Lindgren. The couple lived in Toronto, Winnipeg, Halifax, and Fargo, North Dakota. They had two children, Eric and Jennifer. By assisting and sharing ideas with her husband, an architecture student and later practitioner and professor, Lindgren complemented her science background with a knowledge of architecture, a field that would strongly influence her art. In Winnipeg to which she moved in 1956, she got a part-time job as Design instructor at the University of Manitoba (1957–1963).

In 1965, she received a Canada Council Arts Scholarship to visit weavers in Finland, Sweden, and England.

Lindgren also served as curator for the conceptual Knot Exhibition (1997) at Halifax's Mary E. Black Gallery. It invited viewer participation, and included the living knot garden of Peter Klynstra (1944–2010). She taught or gave guest lectures at many institutions, including the Ontario College of Art, the Nova Scotia College of Art and Design (now NSCAD University), the Banff Centre for the Arts, the University of Manitoba, the Philadelphia College of Art and, as a Fellow, at the Royal College of Art in London, England. She served on the executive of the Canadian Artists Representation (CARFAC) and as vice-president of the Royal Canadian Academy of Arts. She was a member of the Canada Council Arts Advisory Panel and juried Canada Council bursaries.

The Charlotte Lindgren fonds is in Library and Archives Canada.

Work Lindgren's work differs from traditional weaving in its use of materials and the way it approaches three-dimensional form. While a standard loom has four harnesses, Lindgren used one made to her own specifications — with 16 harnesses and two back tension beams. When weaving, her process involves testing what the possibilities could be when not as restricted by the traditional loom. Along with black wool chosen for its visual clarity, she might use monkey hair, and lead wire and plastic that reflected currents in 20th century modernism.

A 1980 work, Windjammer (Robert McLaughlin Gallery, Oshawa) (linen, acrylic), took Lindgren in a new direction: it was her first work to be attached to a plastic sheet and cantilevered from the wall. and in Threads of History, an American Federation of Arts exhibition that would tour major American galleries from 1966 to 1969. In 1967, her work Winter Tree (1965, Confederation Centre Art Gallery) (148 x 73 cm), a wire hanging composed of a complex single woven form with a tight circular base and a series of loose threads above, suggesting the branches of a tree, was featured in Expo 67's Canadian Fine Crafts exhibition. Her sculptural weavings were also displayed alongside other visual arts at the Art Gallery of Ontario's Perspectives 67 where she won a prize for her innovative approach to textiles. Also in 1967 her textile sculpture Aedicule (mohair, wool, synthetic, silk), which invited people to come in and be seated, inspired by a building - a kind of amphitheatre - she had seen in Otaniemi, Finland, designed by architect Alvar Aalto, In 1998, Ingrid Jenkner for the MSVU Gallery curated the exhibition Charlotte Lindgren: Winter Gardens, 30 of Lindgren's colour photographs resulting from a 1995-96 train journey, during which she photographed private and public gardens at each stop and, in 2014, the MSVU Gallery included her work in Big in Nova Scotia.

In 2022, she was included in the major travelling show Prairie Interlace, organized by Nickle Galleries in Calgary and the MacKenzie Art Gallery, Regina.

Selected public collections Her work is in the collections of such galleries and institutions as the Art Gallery of Nova Scotia; Winnipeg Art Gallery; and the Canada Council Art Bank, among other distinguished collections such as that of the Assn. Pierre Pauli, Switzerland. and served as its vice-president (1978–1986);

Community activism In 1983, Lindgren led protests against the construction of proposed high rises around Halifax's authentic Victorian public garden, which resulted in height limitations and setback requirements and the founding of The Friends of the Public Gardens.