Bodo

Camille-Pierre Pambu Bodo, known as Bodo (1953 – March 5, 2015), was a painter and pastor from the Democratic Republic of Congo. He lived in Kinshasa. Bodo was one of the founders and key proponents of the Zaïre School of Popular Painting.

Early life Bodo was born in 1953 and raised in Mandu. He finished his secondary schooling in Mandu in 1970, and moved to Kinshasa the same year in order to partake in the landmark exhibition Art Partout. In 1980, Bodo converted to Christianity and became the pastor of world evangelism within the Pentecostal Church and was convinced that it would change his life.

Influences and impact Bodo finds inspiration from his several trips around both Europe and the United States of America. He is also inspired by the reality of both the city he resides in and the citizens within his community. Bodo stated, “I express everything that happens to me, so that I am no longer focused on specifically African topics and can address myself to the entire world.” The majority of his scenes encounter partially or fully human figures in a landscape. He incorporates flora and faune, and underwater life to display his perceptions the places he has experienced. He paints from sight or experience. Bodo's style of art takes after the work of Hieronymous Bosch. Bodo's resemblance to Bosch's work can be seen specifically through his piece titled, "Le fleuve de délice" (The River of Delight) both in title and stylistic approach. In the 1990s his style of art changed to fantasy and incorporated symbolism in order to share his dreams of a better world. Le fleuve de délice (The River of Delight), Je suis unique dans mon genre (I Am One of a Kind), Ignorance, or Love, the Source of Life, perfectly echo his beliefs. These paintings are significant in displaying the transformation of style that Bodo developed from the 1990s, and onward. They display the way Bodo alters human figures into creating a figure of hybridity between nature and humans.

Themes and styles In the 1990s Bodo's style of art changed to be of fantasy and symbolic nature. Most of his work that is showcased was created following the 1990s. The majority of Bodo's work is considered to be somewhat surreal. In the bulk of his artwork he is putting together pieces of the human figure, and combining it with a part of nature. Bodo creates creatures that are seen as half human and half animal that come from fantasy worlds. An example of such is a piece titled, Bodostar; It features a creature that is half man – half bird. The aims of a portion of his artwork were created in the purpose of discouraging sorcery as a practice; this theme is known as “Ndoki Zoba”. Their works state vigorously and candidly their belief in their capacity to create art that could change the course of history.

Solo 2000 Bodo, peintre congolais, Hôtel Sponeck, Montbéliard, France

Group 2011 JapanCongo, Magasin Grenoble, France 2010 African Stories, Marrakech Art Fair, Marrakech 2007/2008 Why Africa? Pinacoteca Giovanni e Marella Agnelli, Turin, Italy 2007/2008 "Popular Painting" from Kinshasa, Tate Modern, London, UK 2006/2007 100% Africa, Guggenheim Museum, Bilbao, Spain 2005 Arts of Africa, Grimaldi Forum, Monaco, France 2005 African Art Now: Masterpieces from the Jean Pigozzi Collection, Museum of Fine Art Houston, USA 2004 Les Afriques, Tri Postal, Lille, France 2003 Kin Moto na Bruxelles, Hôtel de Ville, Brussels, Belgium 2002 Galerie Marc Dengis, Brussels, Belgium 2001 La Cité dans la Peinture Populaire, Wallonie-Bruxelles Center, Belgium 1996 Bomoi Mobimba -Toute la Vie, Fine Art Palace, Charleroi, France