Betzy Bromberg

Betzy Bromberg is an American director, editor, and experimental filmmaker. She was the Director of the Program in Film and Video at California Institute of the Arts (2002 - 2019), and remains in the position of full time Faculty. Her work has been shown at the Rotterdam, London, Edinburgh, Sundance and Vancouver Film Festivals as well as the Museum of Modern Art (New York City), Museum of Fine Arts, Boston, the San Francisco Cinematheque, the Harvard Film Archive (Cambridge), Anthology Film Archives (New York City), the National Film Theater (London), The Vootrum Centrum (Belgium) and the Centre Georges Pompidou (France).

Bromberg studied at CalArts in the late 1970s with Chick Strand, and for many years was an optical effects supervisor in the special effects industry.

Background Bromberg originally studied journalism and photography at Northwestern University before she became a filmmaker. Bromberg started making her first films at Sarah Lawrence College in 1977, after the industry abandoned analog effects and moved much production overseas.

Style Bromberg's earlier films were influenced by New York, where she spent was born and raised, and spent part of her college career. She is known for her experimental avant-garde stylistic approach in cinema. In many of her works she experiments with the intersection of documentary and avant-garde. Additionally, her experimental film works have all been shot in 16mm, an analog medium which Bromberg says she will work with until "either I'm done or it's done," in reference to the dominance of digital filmmaking in Hollywood.

The style of Bromberg's experimental films is described as slowly evolving into the abstract, consciously free of the special effects of her industry career, and evocative of "a retrieval of a kind of visual innocence." Voluptuous Sleep 2011, 16mm, color/sound, 95 minutes, experimental film Part I: Language is a Skin

Sound and Music: Dane A. Davis, Zack Settel, Jean-Pierre Bedoyan, Pam Aronoff, James Rees, and Betzy Bromberg

Part II: And the Night Illuminated the Night

Music: Robert Allaire, performed by the Formalist Quartet

Screened and exhibited:

Premiered at REDCAT; festival premiere at the New York Film Festival: Views From The Avant-Garde.

The Hirshhorn Museum in Washington D.C., the Buenos Aires Festival Internacional de Cine Independiente (BAFICI 2012), the Bradford International Film Festival (United Kingdom), the CinemaSpace at the Segal Centre of Performing Arts (Montreal) as part of Suoni per iI Popolo Avant-Garde Music Festival, and the Guggenheim Bilbao (Spain)

Award:

50th Ann Arbor Film Festival (2011)

Screened and exhibited:

2006 Sundance Film Festival, the Seoul Film Festival (South Korea), the Athens International Film Festival (Greece), the Bradford International Film Festival (England), Seattle International Film Festival (Washington), the Centro de Cultura Contemporanea de Barcelona, (Spain), and Ponrepo, theater of the Czech National Film Archives (Prague, Czech Republic). Divinity Gratis 1996, 16mm, color, sound, 59 minutes, Director, Editor, and Producer: Betzy Bromberg

Cast: Duchess DeSade, Kory Ivy Vence, Kirby White

Music: Kirby White, Claire Dishman, Dianna Rose.

Cinematography: Betzy Bromberg, Claire Dishman, Brian Bailey, Dianna Rose

Sound: Dane A. Davis

Title Design: Peter L. Levine Body Politic (god melts bad meat) 1988, 16mm, color/sound, 40 min. Az Iz 1983, 16mm, color, sound, 37 minutes Marasmus 1981, 16mm, color, sound, 24 minutes, collaborated with Laura Ewig Soothing the Bruise 1980, 16mm, color/sound, 21 minutes. Ciao Bella 1978, 16mm, color/sound, 13 minutes Petit Mal 1977, 16mm, color, sound, 18 minutes You Can Practically Taste It With Your Eyes 1977, Super-8, color, sound, 45 minutes, collaborated with Lauren Abrams Screaming Susan 1977, Super-8, B/W animation, 3 minutes Tachycardia 1977, Super-8, hand-processed, color, sound, 80 minutes

Recognition

2011 Voluptuous Sleep

premiered at the 2011 New York Film Festival: Views From The Avant-Garde. listed as one of the Best Films for 2011 in both the New York Times and Indiewire. Awarded the Stan Brakhage award at the 50th Ann Arbor Film Festival. Screened at the Bradford International Film Festival in the United Kingdom. Premiered at the Buenos Aires Festival Internacional de Cine Independiente, BAFICI in 2012. Premiered at Buenos Aires International Festival of

2005 a Darkness Swallowed

Premiered at the 2006 Sundance Film Festival. Screened at Seoul Independent Film Festival in South Korea. Screened at the Athens International Film Festival in Greece. Screened at the Bradford International Film Festival in the United Kingdom. Screened at the Seattle International Film Festival in Washington. Screened at Buenos Aires International Festival of Independent Cinema, BAFICI in 2007 as part of a Retrospective of Bromberg's films.