Beatriz Guido

Beatriz Guido (13 December 1922 – 4 March 1988 ) was an Argentine novelist and screenwriter.

Early life and education Guido was born in Rosario, Santa Fe Province, the daughter of architect Ángel Guido (renowned as the creator of the National Flag Memorial) and of Uruguayan actress Berta Eirin. She studied at the Faculty of Philosophy and Letters of the University of Buenos Aires.

She studied in Italy and France, following the perspectives of some existentialist authors. She collaborated with some cultural magazines writing articles about them. On those years, around 1950, she started tre translation of Gabriel Marcel's works from French to Spanish.

Career With her first novel, La casa del ángel, she won the EMECE prize in 1954. It was the beginning of several best seller publications, that continued with La caída, Fin de fiesta and, especially, El incendio y las visperas. All of them put her into the public scene.

The adaptation of La casa del ángel to film, made by Leopoldo Torre Nilsson, was also the first collaboration between them (a creative team that reflects their sentimental life together), and continued for more than twenty years (and 18 films), until his death in 1978. After that, she collaborated with other directors. A wide part of her scripts (all of the co-written with other authors) was based on her own novels and short stories.

She also wrote some theatre plays and articles for the press. Because of her outspoken anti-Peronism, she was branded a "right-wing writer" and a "false aristocrat" by the government of Juan Perón and some critics from her time.

Later life and death In 1983 she won the National Literature Prize. In 1984 she won the Konex Merit Diploma on Letters. In 1984 she was named Cultural Attaché of the Argentinean Embassy in Spain. She died in Madrid on March 4, 1988.

Tributes In 2022 she was distinguished as illustrious personality born in Rosario. In 2023 the Buenos Aires International Independent Film Festival (Bafici) organised at tribute for her centenary with the screening of three emblematic films and an exhibition of personal papers curated by José Miguel Onaindia and Diego Sabenés, who also presented an essay about her contribution to literature and film. The book, Espía privilegiada, included 15 unpublished texts by Guido (articles, short stories, poems, letters, etc.) and become the first analysis of her work on film. Work

Novel La casa del ángel, Emecé, Buenos Aires, 1954. Premio Emecé 1954. La caída, Losada, Buenos Aires, 1956. Fin de fiesta, Losada, Buenos Aires, 1958 El incendio y las vísperas, Losada, Buenos Aires, 1964. Escándalos y soledades, Losada, Buenos Aires, 1970. La invitación, Losada, Buenos Aires, 1979 Soledad y el incendiario Abril, Buenos Aires, 1982. Rojo sobre rojo, Alianza Editorial, Buenos Aires, 1987.

Short Story Regreso a los hilos, Buenos Aires, 1947 Estar en el mundo, El Ateneo, Buenos Aires, 1950 La mano en la trampa, Losada, Buenos Aires, 1961 El ojo único de la ballena, Editorial Merlín, Buenos Aires, 1971. Cuentos y obras teatrales. Los insomnes, Corregidor, Buenos Aires, 1973 Piedra libre, Galerna, Buenos Aires, 1976 Todos los cuentos el cuento, Planeta, Buenos Aires, 1979 Apasionados, Losada, Buenos Aires, 1982. Novelas cortas. Drama

El puerto de Occidente, circa 1953. Esperando a los Castro, 1957. Y murieron en la hoguera, 1962.

Selected filmography The Kidnapper (1958) Traitors of San Angel (1967)