Bartus Bartolomes

Bartolomé Sanchez, better known as Bartus Bartolomes, is an artist born in 1950 in the town of Pregonero, in the state of Táchira, Venezuela. He is currently based in Italy and France. Bartus creates using a wide range of mediums, including painting, drawing, caricature, photography, design, and even poetry. In 1969, he wrote "Kitsch Art", a manifesto promoting street artistic experimentalism.

Life and education

Upon completing his secondary education at Colegio de la Salle in the city of San Cristóbal in Venezuela, where he held his first exhibition of paintings when he was 17 years old, Bartus traveled to Europe and lived in Paris from 1968 until 1974, participating in the student movement that generated the Mai 68, and attended the École Normale Supérieure, the École des Beaux Arts and the University of Vincennes, Paris VIII.

His family owned the Sanchez Pernia Estate, one of the largest coffee plantations in the country covering more than 90,000 hectares from 1898 up to the 1960s. However, the newly emerging governments from the 1960s began to expropriate the land.

In the expropriated lands, the government promoted and built the Uribante Caparo Hydroelectric Dam, a project that became detrimental to the eco-systems of three Venezuelan states: Táchira, Mérida and Barinas, decreasing the productivity of the traditionally cultivated areas, affecting the rivers, local plants and bird migrations because this area was a pathway or transit corridor used by migrating birds.

These expropriations and the negative effect they had on the environment he grew up in affected Bartus. He devoted his creativity to establishing links between art and water, and he promoted cultural events that highlight the consequences of human intervention on the environment such as environmental pollution and global warming.

In the early 1970s he published a new manifesto in San Francisco proclaiming Transpositionism: a search on new proposals as symbolic calligraphy, haiku and visual art from which he proposed the new denomination Graphi-kú, a combination between Haiku and Graphic.

In the mid-1970s, he obtained a degree in International Studies (Diplomacy) from the Central University in Caracas.

In the late 1970s and early 1980s, he was involved with the group Zeta International promoters of the New Visuality or Poesia Visiva with Carlo Marcello Conti, Lamberto Pignotti, Adriano Spatola, Gerard Jaschke, Eugenio Miccini, Luciana Arbizzani, T. Blittersdorf, Graziella Borghesi, and Erio Sughi among many others.

In the mid-1980s, linked to a diplomatic post, he lived in India and China. He exhibited work in New Delhi. Later he studied calligraphy in Beijing, China, and Bantu art in Libreville, Gabon.

Bartus returned to Europe in the mid-1990s and began his project on Global Rights of drinkable water, looking to motivate the international community in the creation of large water caves to fill in periods of drought at 65 countries experiencing shortages of fresh water seasonally and with more intensity in recent years.

Work

As told by French writer Gérard-Georges Lemaire:

Carlo Marcello Conti, art critic, writes:

Exhibitions Bartus Bartolomes has participated in numerous exhibitions: Air Sculpture. Dimension 8 m x 4 m. Installation. Bay Front Park, Miami, Florida. USA.

2011

Giants in the City, Monumental Sculpture Project, Bayfront Park, Miami, United States. Arte Padova 22ª Edizione. Padua, Italy. World Monuments Fund Gallery, New York City, United States. Latinamente Primo Piano LivinGallery. Lecce, Italy. Art Verona Art Fair. Verona, Italy. Art Platform Art Fair. Los Angeles, United States.

2012

The Office Contemporary Art Gallery, Rome, Italy. 13th Annual day of the Dead Exhibition at SomArts Cultural Center. San Francisco, United States Graffito International Art Exhibition. Miami, United States One Hundred Twenty Eight Gallery. Lower East Village, New York City, United States YAA Museum Broward County Library. Miami, United States Kavachnina Contemporary Art Gallery, Wynwood, Florida, United States Area 24 Art Gallery. Naples, Italy BluorG Gallery, Bari, Italy Anonymous Gallery/Casa de Empeño Gallery. Mexico City, Mexico The Art Link Gallery, Wynwood, Miami, United States. Zona Maco. Mexico Arte Contemporaneo. Anonymous Gallery. Mexico Arte America. Irreversible Art Projects. Miami Beach Convention Center. Miami, United States Museo di Matino. Magliano, Italy Burning Man Passport Proposal with Domingo de Lucia. Black Rock City & Desert. Nevada, United States

2013

Art Monaco. Monteolivetto Gallery. Nice, France Snug Harbor Art Lab. Staten Island, New York, United States 41st Salon Antibes. & Modern Art Fair. April 20 – May 6. Port Vauban, Antibes, France Smart Aix-en-Provence Art Fair. May 2 – May 6. Monteolivetto Gallery. Miami, United States. Art Basel Week, Miami, United States PARImageS, Galerie Etienne des Causans & Monteolivetto Gallery. Fiera di Bologna. Campanotto Art Books. January 28 – February 1. Bologna, Italy The Arquitecture of Love Brooklyn Bridge Light Art Project Gender Equality Proposal. New Delhi, India Art for Water. Itinerary Public Project Biennial of Exile and Refugees Art DWN TWN Art Days. 4th Annual Celebration. September 11 – September 13. Bayfront Park, Miami, United States. Bergamo Arte. November. Bergamo. Italy Miami Book Fair. Plunging Ourselves. Indiana, United States ICL Studio. December 4 – December 7. Art Week Basel. Wynwood, Miami, United States

Publications

Sushi Poems, 2008. La Saliva del Gorilla, 2010. The horns of the rhinoceros, 2011. Birds Birdy Birding, 2012. Il diluvio è una cicala con le labbra azzurre, 2012. Nightmare in New York, 2014. Plunging Ourselves, 2015.