Bani Abidi

Bani Abidi (born 1971) is a Pakistani artist working with video, photography and drawing. She studied visual arts at the National College of Arts in Lahore and at the School of the Art Institute of Chicago. In 2011, she was invited for the DAAD Artists-in-Berlin program, and since then has been residing in Berlin.

Early life and education

Abidi was born in Karachi, the capital of Pakistani province of Sindh, in 1971. She has lived in New Delhi and Karachi, and currently resides in Berlin. In 1994, she chose to study painting and printmaking, earning a Bachelor of Arts from the National College of Arts in Lahore, Pakistan. From 1997 she studied at the Art Institute of Chicago, completing a master's degree in 1999.

Artistic practice

Early works The subject of Abidi's earliest venture was a trilogy of humorous video diptychs that put spotlight on the ongoing hostility between Pakistan and India. She played the role of both an Indian woman and a Pakistani woman in Mangoes (1999), where they reminisce about the old times while eating mangoes. Their camaraderie is gradually replaced by conflict as nationalism, about the variety and quality of mangoes native to each country, hampers the discussion in progress. On the similar lines, her work The News (2001) depicts the news anchors reporting the same international incident from their respective national perspectives. The conventions of costumes and the languages depicting each of the nations are precise. Even though these videos showcase the visual differences, the fact that Abidi herself plays both the roles puts emphasis on the cultural similarities between the two nations. It comes across as a visualization of the term “the nearness of difference” put forth by the scholar Homi Bhabha. Her video works contain audio-visual footage put together in a striking fashion that makes the fictional narrative appears life-like. The film-making gaze of the artist offers a close-up view of a range of experiences of waiting wherein viewers can immerse themselves. It is through this experience of waiting that clear social hierarchies are visually established.

In addition to creating videos, Abidi also works with photography, digital imaging, and installations.

Notable exhibitions and collections

Solo exhibitions Bani’s work has been a part of solo exhibitions at Sharjah Art Foundation, Sharjah (2019); Gropius-Bau, Berlin (2019); Neuer Berliner Kunstverein, Berlin (2017); Kunsthaus Hamburg (2016); Gandhara Art Space, Karachi (2016); Dallas Contemporary, US (2015); Kunstverein Arnsberg, Germany (2014); Experimenter Gallery, Kolkata (2012) and Baltic Centre for Contemporary Art, Gateshead, UK (2011) among many others.

Group exhibitions Abidi's creations have also been featured in the group exhibitions at Lahore Biennale (2018); Gesellschaft für Aktuelle Kunst, Bremen, Germany (2017); Kiran Nadar Museum of Art, Delhi (2016); Bristol City Museum and Art Gallery, UK (2016); Museum of Modern Art, New York (2015); Latvia Centre for Contemporary Art, Riga (2015); Aga Khan Museum, Toronto (2014); 8th Berlin Biennale (2014); Guggenheim Museum, New York (2013); 9th Shanghai Biennale (2012); dOCUMENTA (13), Kassel, Germany (2012); Devi Art Foundation, New Delhi (2012); ZKM Center for Art and Media, Karlsruhe, Germany (2011); 10th Lyon Biennale, France (2009); 7th Gwangju Biennale (2008); Singapore Biennale (2006) and Asia Society, New York (2006) being some of them.

Collections Abidi’s work is a part of the collections at the Museum of Modern Art, New York; Guggenheim Museum, New York; British Museum, London; Tate Modern, London; Burger Collection, Hong Kong; Devi Arts Foundation, Gurugram, India and Sharjah Art Foundation to name a few.

She has been an artist-in-residence at DAAD Berliner Kunstlerprogram, Berlin (2011); Fukuoka Artist Exchange Program, Japan (2005); KHOJ International Artists Residency, New Delhi (2001) and Skowhegan School of Painting and Sculpture, US (2000). She was awarded a Sharjah Art Foundation Production Programme grant in 2010.