Angie Reano Owen

Art career In the 1970s, Owen became known for her mastery of ancient Ancestral Pueblo and Hohokam inlay jewelry, a delicate technique which she is noted for reviving.

After a trip to Tucson, Arizona, where she viewed precontact mosaic inlays, Owen began to develop her own take on the traditional artwork. She innovated a technique of combining shell and stone with a unique adhesive that is known only to the family.

Her mosaics use slices of stones and shell, such as turquoise, coral and Tiger cowrie, which she arranged in patterns or landscapes and inlays with epoxy. They are carefully placed, set, then sanded smooth.

By the 1980s, her designs became more elaborate, with mosaic designs adorning complex organic forms, arranged in an "unconventional integration of various prehistoric and postmodern design elements". Owen's designs are noted for their intricacy and multifaceted surfaces of inlaid shells, stones. and natural materials.

Owen is recognized for helping popularize this traditional Ancestral Pueblo style of Native American jewelry, which was not previously well known. After developing her technique, she taught her family members to carry on the tradition, including her brother Joe, sister in law Angie P. Reano, and her children Rena, Dean and Donna. Other members of the Reano Owen family have gone on to become talented inlay jewelry artisans in their own right.

Collections School for Advanced Research, Indian Arts Research Center Museum of Fine Arts Boston National Museum of the American Indian IAIA Museum of Contemporary Native Arts, Santa Fe Nelson-Atkins Museum of Art, Kansas City, MO

Selected exhibitions Get a Bead On: Jewelry and Small Objects, Racine Art Museum RAM Showcase: Focus on Adornment, Racine Art Museum Totems to Turquoise, American Museum of Natural History New York Turquoise, Water Sky: The Stone and Its Meaning, Museum of Indian Arts and Culture Santa Fe Water, Wind, Breath: Southwest Native Art, Barnes Foundation