Andreas Raselius

Andreas Raselius, also known as Andreas Rasel (c. 1563 – 6 January 1602) was a German composer and kapellmeister during the Renaissance. He worked for much of his career as a teacher and cantor in Regensburg, before being appointed as the court conductor of the Elector Palatine in Heidelberg. He is today best noted as the author of a cycle of motets for use throughout the year, the first such cycle to be composed in the German language, which was published in 1594.

Early life and education

Raselius was born at Hahnbach in the Upper Palatinate of Bavaria around 1563. He was the son of Thomas Raselius or Rasel, a Lutheran preacher. The elder Raselius had studied at Wittenberg University under the Lutheran theologian and reformer Philip Melanchthon – who had Latinised Raselius's name – before moving to Hahnbach and marrying a woman from nearby Amberg. From 1575 Andreas Raselius was educated at the Amberg Gymnasium and in November 1581 he enrolled at the University of Heidelberg. He gained a baccalaureate within only eight months and was awarded an M.A. in February 1584.

Career

A strict Lutheran, he declared himself "outraged at the Calvinist machinations"

In 1590 Raselius was promoted to the rank of teacher of the 4th class. In 1600 the Elector Palatine Frederick IV appointed him as Hofkapellmeister – court conductor – at Heidelberg, but Raselius died there less than two years later on 6 January 1602.

Family On 7 September 1584 in Regensburg, Raselius married Maria Erndl († 1617 in Wiefelsdorf near Schwandorf, where she was cared for by her brother-in-law, Pastor Andreas Pankratìus Frauenholz ), the daughter of , the Apothecary at the Kohlenmarkt - later known as the in Regensburg.

They had nine children: It was the first motet cycle covering the whole year to be written in the German language, following the Latin cycles published a few years earlier by Johann Wanning. The German musicologist Walter Blankenburg wrote that "the settings are often superior to similar works by other composers, even by later masters such as Vulpius, Johann Christenius and Melchior Franck; only Demantius may be considered an exception".

He also wrote two chorale collections published in 1591 and 1599, which furthered the earlier efforts of Lucas Osiander to devise chorales that could be used in a congregational setting. Raselius's chorales were altogether more sophisticated than those of Osiander, covering five voices with the inner parts given further musical interest. Raselius's work shows evidence of both Flemish and native German influences, but his compositions of 1595 show that he had thoroughly mastered the polychoral techniques of Italy.