'Abd al-Hayy

ʿAbd al-Ḥayy (1374 - 1405, Samarkand) was a Persian illustrator of the Jalayirid dynasty, specializing in discreet, miniature art. His career spanned from the late 14th century through the early 15th century. He is most commonly recognized for his wall paintings that decorated many ornate palaces, including the palaces of the Timurid Empire and his monochromatic ink paintings.

Early life and relationships

Early life `Abd al-Hayy began his career by training under Shams al-Din, another artist that was well regarded for his art. Shams al-Din most notably worked on The Court of the Jalāyir Sultans of Baghdad. `Abd al-Hayy's training took place primarily during the reign of the Jalayirid Shaikh Awais Jalayir, where he soon became a highly regarded and coveted painter due to skill and unique artistry. Their professional relationship is theorized to have begun during Ovays's reign. During this period, Šams al-dīn spent much of his time and energy instructing ʿAbd al-Ḥayy, where he subsequently became the teacher of Aḥmad b. Ovays. Many suggest that Šams al-dīn’s instruction can be attributed to ʿAbd al-Ḥayy's remarkable success.

Style

Preferences

Drawing of pastoral scene with yurts, possibly made by Sultan Ahmad Jalayir himself or his teacher Abd al-Hayy. Divan by Sultan Ahmad Jalayir 1400-1403, Baghdad. `Abd al-Hayy is theorized to have specialized in monochrome ink drawings.

`Abd al-Hayy also is recognized for his skilled work on the wall paintings at the Timurid palace. While most wall paintings of similar time period and intent depict landscapes and battles, very few depict living figures. `Abd al-Hayy's work contrasts this and his artistic subjects stray from the trends of the 14th century. Of the surviving paintings we can attribute to him, we can see his particular interest in drawing animals, such as ducks and lions.

The most significant wall painting that decorated the Timurid Palace and is attributed to Abd al-Hayy is of a woman and child. It is commonly credited to `Abd al-Hayy because of its striking similarity to his marginal drawings in a copy of Ahmad Jalayir's Divan.

Influence `Abd al-Hayy's artistry and unique style went on to influence artists. For example, `Abd al-Hayy's pupil, the Jalayirid ruler Ahmad Jalayir, contributed a black and white drawing to a manuscript of the Abūsa῾īdnāma (“Book of Abu Sa῾id”) at the direct influence of `Abd al-Hayy. In addition, a number of folios that are attributed to the late 14th century and preserved in various albums bear the notation that they were copied from ῾Abd al-Hayy's drawings by Muhammad ibn Mahmud Shah Khayyam.

Another of `Abd al-Hayy's pupils, Ahmad Jalayir created similar monochromatic, black and white drawings to accompany his manuscripts in the Abusa'idnama ('Book of Abu Sa'id'). While texts from the time period do not directly confirm `Abd al-Hayy's involvement nor influence over these manuscripts, many scholars have concluded with firm certainty that these illustrations were done by `Abd al-Hayy. Evidence for this can be seen in the text of the manuscript that states that the unnamed painter, who was assisted by Aḥmad b. Ovays, prepared an Abū Saʿīd-nāma containing black and white drawings, a signature of `Abd al-Hayy. There are also a number of paintings that explicitly state that they were copied from `Abd al-Hayy's drawings, some of which can be dated back to the late 14th century.